Return of the Students

After nearly 18 months of teaching piano lessons exclusively on Zoom, students this summer have gradually been returning to the studio for their lessons. I had become so accustomed to virtual lessons that I was almost surprised by how nice it was to once more teach in-person! The returning students are older, taller, and more mature. The students I have only known “virtually” are a bit nervous, but excited to meet me for the first time. Side-by-side, each of us at a piano, I can play along with them, watch their pedaling, and hear more closely the nuances of their sound. And how much easier it is to hear the sound up close, rather than strain to discern the sound through the distortion of less than ideal audio!

In addition to the ease of once again speaking to students face to face, we have been able to return to some of the tactile activities we used to do before the pandemic. With young beginners, especially, these activities are tremendously important. We toss a soft ball back and forth to loosen up the arms, and we march around the room to feel the musical pulse. Students are happy to once again decorate the giant grand staff on the floor with the note names. Pop-the-Pig is a new addition to the studio: students can feed the pig a hamburger every time they complete a task correctly! They love seeing the pig “pop” when they feed him enough times.

I am hopeful that we will be able to continue in-person lessons this year, although if we’ve learned anything, it is that things could change at any time. We’ve all become more versatile teachers this past year, and can add virtual lessons to our teaching toolbox. In the meantime, we are definitely going to enjoy having our students back in our studios!

Virtual Music Making

Like many, all of my formerly in person music activities have gone virtual.  I have been teaching all of my lessons remotely, and have begun to offer my concert presentations online. I’ve done a few of these for communities where I used to appear in person.  Just as it took some adjustment getting used to teaching online, it was initially quite disconcerting to perform for an “audience” I couldn’t see or hear!

I’m thrilled to be able to connect with both my students and audiences virtually, and I look forward to more virtual music making until we can meet again in person. Above is a performance of Debussy that was taken from the video of a recent online concert. Below are some scenes from the virtual studio!

Latest Posts

Return of the Students

After nearly 18 months of teaching piano lessons exclusively on Zoom, students this summer have gradually been returning to the studio for their lessons. I had become so accustomed to virtual lessons that I was almost surprised by how nice it was to once more teach in-person! The returning students are older, taller, and more…

Essential Equipment for Online Lessons

This resource is for students and teachers who want to improve the quality (from a technical standpoint) of their online lesson experience. Now that most of our piano lessons have taken place online since March, we are used to this new way of teaching, and with Covid-19 showing no signs of letting up in most…

Virtual Music Making

Like many, all of my formerly in person music activities have gone virtual.  I have been teaching all of my lessons remotely, and have begun to offer my concert presentations online. I’ve done a few of these for communities where I used to appear in person.  Just as it took some adjustment getting used to…

Music at MGH

I recently enjoyed the opportunity to perform with the Volunteer Musicians for the Arts.  We played in the chapel at Mass General Hospital during their spiritual week.  Some people came and listened for a few minutes, and some stayed for the whole performance.  One couple was very grateful to spend an hour listening to music…

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Music at MGH

I recently enjoyed the opportunity to perform with the Volunteer Musicians for the Arts.  We played in the chapel at Mass General Hospital during their spiritual week.  Some people came and listened for a few minutes, and some stayed for the whole performance.  One couple was very grateful to spend an hour listening to music while their son was undergoing a 5-hour surgery upstairs.  I was glad for the opportunity to bring them some joy during what must have been a very stressful day.

Five Things You Can Do to Support your Child’s Music Lessons

 Parental involvement in music lessons is one of the key factors that can lead to a successful year of study.  Not sure how to get involved? Here are five things you can do right away.

  1. Encourage and support musical progress by asking to hear the songs your children are working on.  
  2. Help your child maintain a practice chart or log of some kind.  Consistent practicing is fundamental to success at a musical instrument.   Work with your child to schedule a time each day that can be dedicated to practicing.  Practicing happens more regularly if it is not left to chance!
  3. Find out what they are working on.  Take a look at their assignment book, or ask them (or their teacher) what their weekly assignment is.  Check in on their practicing periodically.  
  4. Communicate with their teacher!  If you do not regularly attend lessons, try to sit in once in a while.  There is no substitute for one on one communication, and actually seeing and hearing what takes place at a lesson.
  5. Listen to music together!  In the car, at home, on YouTube – whatever it is, listening to music can inspire your child. Consider attending live performances, if possible.  Ask your child’s teacher for recommendations in your area.  

Students with surprising talents

Sometimes I discover that students I’ve known for a long time have surprising talents I knew absolutely nothing about.  Here’s Simon, equally comfortable in two very different settings:

 

Schumann’s Arabeske

I’ve found myself frequently playing music by Robert Schumann over the past year.  His lyrical, dreamy side is on display in this composition.  Here is a video his Arabeske from a recent performance.

Three Works for Cello & Piano

Recently I’ve had the pleasure of working with cellist Elena Korableva on three major pieces for cello & piano.  The Chopin Sonata is one of his rare works for another instrument besides piano, and it’s certainly a towering achievement (and very challenging!)  The Debussy Sonata is a great composition from the early 20th century, showing Debussy’s more modernist inclinations.  We end the program with Piazzolla’s “Grand Tango.”  The Wellesley Free Library was kind enough to produce a video of our concert, which is available here.

Shadow Etchings

I recently had the pleasure of taking part in the recording of Orlando Cela’s new album for (almost always) solo flute, Shadow Etchings.  My contribution to the album was the realization of John Cage’s Winter Music (1957), which I played while Orlando played  Lou Bunk’s “Winter Variations.”
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The album has been garnering many reviews, one of which can be seen here:

You can listen to the album on Spotify, among other places.